Print to Display
Watch Janet Haines and Martin Addison’s webinar Print to Display to find out more about these techniques. Do you create wonderful prints of your work which then end up sitting in a drawer? We’re all guilty of it – but . . .
The Importance of Print | Rod Wheelans, PAGB Editor
Rod Wheelans MPAGB FRPS MFIAP is a former president of the Photographic Alliance of Great Britain and now edits the PAGB e-news “A photographic print is a tangible object, not just a fleeting image on a screen. By printing images,
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Matt vs Gloss Inkjet Paper
What’s the difference between matt and gloss photo paper? Gloss, semi-gloss and matt are the standard paper surfaces. They’re available in a variety of finishes which alter the overall look and feel of your print, enhancing different qualities of an
Creating incredible photomontages with Caoimhe Heaney
Caoimhe has a hons degree in Fine Art from Crawford College of Art and Design. She works mainly with photography, chaining photographs into her own surreal creations. She explores the themes of isolation and loneliness, creating new realms from her
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FB Distinction 320 review by Will Cheung
Photography News editor, Will Cheung, has been working in the photographic publishing business for over three decades, editing several major titles. He is a well known and respected photographer and a Fellow of the Royal Photographic Society. “FB Distinction 320
Why Oyster 271 Makes Printing Easier
Choosing a paper to print on can be overwhelming, especially if you produce images covering a wide genre of subjects and styles. Having one paper in your stock that you can rely on for most images is ideal, with a
Why Oyster 271 Is My Go To Paper | Roger Hance
When I give print talks to camera clubs, I like to show prints printed on a range of different PermaJet papers. I do not use the complete range of their papers, instead limiting myself to nine or ten that I
Printing on Double-Sided Lustre 295 For The First Time
The Message At the end of the 2020, I received a message from PermaJet that brightened the dark moments we all are going through – I was given the opportunity to try a brand new double-sided paper. The best thing
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Double-Sided Test Pack Review | MegsCuriocity
As an artist, I love to explore and experiment with new media and mediums, so I was delighted to be asked by PermaJet to try out and review their new Double-Sided Test Pack, including their new paper; Double-Sided Lustre 295.
NEW Double-Sided Lustre: Tom Dodd’s First Impression
My first impression of this new paper is how easy it is to handle and the smoothness of the lustre surface. There are so many papers to choose from that a discerning printer can become confused and perhaps frustrated when
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LEMAG Reviews PermaJet’s Photo Art Silk 290gsm
We have received a batch of Photo Art Silk 290 paper from PermaJet to test and present to LEMAG readers. Before starting our tests we downloaded the ICC profile off the PermaJet website. After a few initial test prints we
LEMAG Reviews PermaJet’s Museum Heritage 310gsm
We have received a batch of Museum Heritage 310 paper from PermaJet to test and present to LEMAG readers. Before starting our tests we downloaded the ICC profile off the PermaJet website. After a few initial test prints we decided
The Best Paper for Monochrome
The art of B&W printing is a challenge requiring dedication and skill, with the aim of achieving the best print possible. Traditionally this is in the darkroom using the process of enlarging and chemical processing, often until the early hours!
Which Inkjet Canvas Is Right For You?
Canvas prints make wonderful gifts, especially around Christmas time. Giving a loved one a piece of art or a memory that they can hang on their wall and cherish for years to come is priceless. But did you know that
5 Reasons Why You Should Use Fine Art Paper
If you’re a perpetual user of gloss or lustre papers, you may shy away from the world of Fine Art media. But there are many benefits to using these papers… 1. Increase in quality Fine Art papers are made from
Selecting Suitable Media for Fine Art Prints by Kedar Bhide
After doing all the hard work for creating art through your paintings or photographs and then using calibrated equipment and rendering the right colours, sometimes, we still end up getting a washed-out prints of our visualisation. The reason being, many
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Titanium Gloss 300 Up Close – Northlight Images Review
Metallic papers have been around a while, with the pearlescent effect going back to darkroom days. Whilst I’ve never tried such papers in the past, I have seen quite a few papers with the word ‘metallic’ in their name. I’ve
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5 Top Tips for Printing on PermaJet Photo Lustre 310
Photo Lustre 310, from PermaJet’s Digital Photo range, is a multi award-winning paper with a beautiful lustre surface texture and heavy base weight of 310gsm. Manufactured with a bright white base, this tough and scratch-resistant media has an instant dry
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An Up Close Look at FB Gold Silk 315, Titanium Gloss 300 & More – Review by Gaelic Memories
This month I’m looking at photographic papers from PermaJet UK, including their latest PermaJet FB Gold Silk 315gsm new for 2020. Papers will be printed on a Canon Pro 10s with installed OEM ink. I will be utilising Photoshop CC
Dibs Photography: First Thoughts on Titanium Gloss 300
To receive a message over social media from the team at PermaJet saying… ‘As a thank you for being a loyal customer and regularly supporting us on social media, we would like you to be one of the 1st to try the
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